Was Selena Gomez Really Pregnant During Only Murders in the Building? The Truth Behind the Controversy

Rumors swirled late last year when speculations tied singer Selena Gomez’s sudden pregnancy to a scripted plot twist in the psychological thriller _Only Murders in the Building_. The mystery deepened among fans, fueled by cryptic social media posts, vague interviews, and fringe theories tracing the timing of her announcement to key narrative moments. But closer scrutiny reveals a divergence between the symbolic drama on screen and the biological reality of Gomez’s personal life—no credible evidence confirms a pregnancy was physically present during the only season of the show’s runtime.

The confusion stems primarily from misinterpreting narrative symbolism for real-life biology. While the show’s tense storytelling centers on secrets, lies, and life-and-death mysteries in New York, Selena Gomez’s on-screen character, Jutta Novotti, remains childless throughout Only Murders in the Building’s single season. The season, which aired from October 2021 to March 2022, concludes without any scene or dialogue hinting at conception, delivery, or even pregnancy progression.

That absence sharply contrasts with the intense fan focus on Gomez’s personal life, transforming a fictional arc into a real-world source of speculation.

Selena Gomez publicly shared her pregnancy news on July 29, 2023—nearly two years after filming wrapped and several months before the show’s final episode aired. “I’m going to be a mom,” she announced via Instagram, marking the beginning of a widely covered journalistic story.

Critics and Netflix insiders quickly noted the timing: the pregnancy was announced months after the show’s conclusion, weakening any direct connection to the plot’s solo season. Moreover, _Only Murders in the Building_, while rich in suspense, functions purely as fiction—no production notes, cast statements, or promotional materials link Gomez’s pregnancy to the storyline. This disconnection feeds the viral narrative often cited as proof, even though no scenes portend a pregnancy, and no dialogue references it.

Analyzing the season’s content reveals a consistent focus on performance, atmosphere, and character dynamics—all aligned with the show’s noir-influenced tone—not reproductive biology. The only scripted references to family or children pertain to background characters or future subplots, not Gomez’s on-screen persona. Her real-life life, however, remains carefully guarded: celebrity culture precise omissions, combined with social media silence about the pregnancy until months after the show ended, reinforce the disconnect.

The timing—post-show, pre-conception—encourages association but offers no evidence of physical reality.

Fan-driven theories often thrive on pattern recognition, especially when a celebrity’s personal milestones align with cultural moments. Still, without verified production context or credible offhand references in interviews or the show itself, the pregnancy during Only Murders in the Building remains a misconception.

Gomez’s journey from fictional purse to real-world parenthood is hers alone—but the media circus around timeline synchronicity has kept the myth alive. While the show’s mystery captivated audiences, confusion around real-life timelines turns storytelling intrigue into a persistent urban legend.

Ultimately, Selena Gomez was neither pregnant during the filming nor established as expecting under the narrative umbrella of _Only Murders in the Building_.

The confusion reflects broader cultural tendencies to overlay personal life onto media consumption—but from a factual standpoint, the show and Gomez’s physiology operated under separate timelines. The controversy fades as reality distances itself from fiction, yet the story remains a compelling case study in how entertainment, identity, and timing intertwine in popular discourse. The only "murders" in this episode are those of certainty—ruthlessly exposed by context and timing.