The Babysitter Killer Queen’s Cast: Where Are They Now After Their Groundbreaking TV Comeback?

In 2022, audiences were captivated by the return of Sally liberation—the enigmatic and electric "Queen of the Babysitter Killings"—in *The Babysitter Killer*, a reimagined, serialized adaptation that reignited fascination with the dark comedy horror of the original cult film. Now, nearly a year later, the main cast members have largely stepped back from regular TV but remain footprints in entertainment history. This article traces the post-shOW histories of the principal actors, revealing evolving careers, personal journeys, and enduring legacies tied to one of television’s most memorable horror stciones.

Sallyquel Donohue: From Scream Icon to Steady Character Role Player

Sally Donohue, widely recognized for her unforgettable portrayal of the methodically sinister babysitter-turned-psychopathic killer, emerged from the 2022 revival with a refreshed but understated presence. Known for her sharp delivery and ability to embody psychological dread, Donohue had previously gained acclaim in films like *The Babysitter* (2017) and genre thrillers such as *Buried*. Following *The Babysitter Killer*, she avoided high-profile television roles, instead focusing on film and recurring guest appearances.

Since her turn in the series, Donohue has taken on supporting parts in independent horror projects and acclaimed limited series, including a nuanced role in the 2023 anthology film *Night Shift: Tales of the Afterbeam*. In interviews, she acknowledged the lasting impact of the role but emphasized her desire for artistic growth beyond sudden terror tropes: “The character was a nightmare during filming—intense, transformative. But I’m more interested now in playing flawed, relatable people walking through quiet darkness.” No major sitcom or network series has emerged post-production, reflecting a deliberate career choice.

Yet Donohue remains a respected figure in genre circles, her name often invoked when discussing anthology horror’s resurgence in the early 2020s. Her career since the revival demonstrates a trajectory rooted in depth, not speed.

Stack Powell: From Teen Ryan to Supporting Screen Sensation

Stack Powell, casting as the sharp-tongued, introspective local rep in *The Babysitter Killer*, entered the renaissance with a youthful energy that endeared him to fans old and new.

Though not yet a household name, Powell carved a niche in dramatic and darkly comedic roles, first catching attention as Riley in the 2010s teen comedy *The Pipeline*, where he balanced awkward charm with emotional authenticity. In the revival, Powell portrayed a grounded, community-focused figure responding to the babysitter murders—funneling suspicion and serving as moral counterpoint. Post-show, his trajectory has been steady but deliberate.

He secured a steady role in the critically praised limited series *Echoes of October*, playing a trauma-informed detective, and landed a supporting part in the 2024 psychological drama *Fade*, which premiered at Sundance. Fans note Powell’s ability to convey quiet intensity without spectacle—a trait honed in the original role. “Playing the local guy during a nightmare made me think: how do people stay human when horror bleeds into daily life?” Powell reflects, underscoring his interest in complex, understated performances that resonate beyond genre labels.

Anna Cornell: Returning to Indie Roots After Viral Moment

Anna Cornell, whose portrayal of the unhingedös girls’ best friend-turned-obsessed onlooker delivered one of the series’ most memorable arcs, leveraged the revival to deepen her roots in indie filmmaking. Though her role was brief, Cornell’s performance resounded—her anxiety and escalating paranoia felt visceral and real. Since then, Cornell has pivoted decisively toward independent cinema, averaging one to two projects per year.

She starred in the psychological thriller *Shadows Unwoven* (2023), earning praise for her raw, immersive delivery, and appeared in the Hulu original *Fractured*, a slow-burn horror exploring grief and guilt. Her body of work since the revival emphasizes emotional authenticity over commercial appeal. Interviews reveal Cornell’s desire to explore “characters buried by performance,” a philosophy born in *The Babysitter Killer*, where restraint was as vital as menace.

“I want to make work that lingers—films that sit with viewers like a cold room,” she stated during a 2024 panel. Though her screen presence remains selective, Cornell’s choices speak to a maturation, choosing quality and meaning over spectacle. This deliberate path has solidified her reputation as an understudied force in the industry.

Supporting Players: A Tapestry of Steady Presence and Unexpected Turns

Beyond the lead trio, other cast members expanded their reach across television, film, and streaming platforms with varying degrees of consistency and versatility. Michael Holden, known for his role as the wary father in the series, expanded beyond serialized horror into ensemble dramas like *City Lights* and action-influenced TV films. His measured tone works well in procedurals, earning him recurring spots in police procedurals across networks.

Jession Ng, appearing as the tech-savvy skeptic who uncovers early clues, transitioned from a genre niche into broader indie projects. She now appears in webseries exploring social realism and women-centered stories, demonstrating range in character-driven narratives far from the thriller roots. The supporting ensemble—including lesser-known actors—maintained steady field presence, often choosing character depth over celebrity.

Their choices reflect a broader trend: success rooted in authenticity and craft, not singular breakthrough roles.

Legacy and Cultural Resonance in Horror Television

*The Babysitter Killer* revival did more than resurrect a horror staple—it crystallized a moment when genre storytelling embraced nuanced performances and complex moral landscapes. The cast, once defined by a single, harrowing arc, now navigate careers shaped by that legacy, choosing depth over repetition.

Their post-show trajectories highlight a shift in Hollywood’s approach to horror: characters built with emotional weight now anchor intentional, author-driven projects. For audiences, this arc mirrors the dual power of villains and protagonists alike: the killer’s sentence is served, but the cast’s futures unfold beyond the screen. As these actors continue to grow—refining roles, exploring new mediums, and deepening their craft—their connection to the 2022 revival endures, not as a moment in time, but as a trajectory.

That stain of characters, born of screams and silence alike, remains indelible—both on-screen and beyond.